I offer this model with different bodies in order to play in A466, A440, or A415. I have chosen maple for the flexibility and resonance that this wood gives to the sound.
   At the Kunsthistorische Museum in Vienna, there is an original renaissance recorder with a large bore and a flared pavillion that works with the fingerings that Sylvestro Ganassi suggested in his treatise “La Fontegara” in 1535. Most of the “Ganassi” types of recorders made now are based on this model.

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 I have planned for 2009 to make a tenor recorder based on an original instrument from the Bassano family that is kept in the Edimburg museum.

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